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Cowboy Bebop: Der Film, in Japan als Cowboy Bebop: Knockin 'on Heaven's Door bekannt, ist ein japanischer animierter Science-Fiction-Film aus dem Jahr , der auf der von Hajime Yatate erstellten Anime-Serie Cowboy Bebop basiert. politruck.se - Kaufen Sie Cowboy Bebop - Der Film günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. politruck.se - Kaufen Sie Cowboy Bebop The Movie - Blu-ray günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. Vincent Volaju wird auf dem Mars geboren (Gegenspieler in Cowboy Bebop – Der Film). , Juni, Spike Spiegel wird auf dem Mars geboren. Vicious wird. Komplette Handlung und Informationen zu Cowboy Bebop - Der Film. Mars, im Jahre Wenige Tage vor Halloween. In einem gigantischen Feuerball.
Komplette Handlung und Informationen zu Cowboy Bebop - Der Film. Mars, im Jahre Wenige Tage vor Halloween. In einem gigantischen Feuerball. Die neuesten Nachrichten und Specials zu diesen Film Cowboy Bebop: The Movie: 55 Kinofilme, die auf Animationsserien basieren – gerankt vom. Vincent Volaju wird auf dem Mars geboren (Gegenspieler in Cowboy Bebop – Der Film). , Juni, Spike Spiegel wird auf dem Mars geboren. Vicious wird. Kadokawa Shoten. Die Entscheidung fällt in der Halloween-Nacht. Dadurch wurde die Erdoberfläche unbewohnbar und einige Erdbewohner suchten Schutz im Untergrund. Ghost in the Shell II - Innocence. Edward wird, john f. kennedy jr. remarkable der Serie, am 1. Trending: Meist diskutierte Filme. Strange Days. Spikes eigene Kampfkünste kopieren den Stil von Bruce Lee. Cowboy Bebop hätte es beinahe nicht als abgeschlossene Serie in das japanische Fernsehen geschafft. Gateway Shuffle Erstausstrahlung Visit web page. Marc Handler. Der tödliche Deal Asteroid Blues
The film begins in the same fashion as any of its self-contained tv episode would, in that not a lot of exposition is provided for grasping the setting.
The characters are more or less introduced as 'bounty hunters' and that is as much of a background the film lets on before establishing the main plot.
It is not too much of a setback not to be given any opportunity to become attached to any of the characters. They are there to simply convey various scenes of the main plot and arrange them into place before they culminate into an oft-tread climax.
The plot is briskly disclosed rather literally spelled out by dialogue, no implication and turns out to be a fairly mundane yarn that does not break any new ground in narrative nor provide any catalyst for any interesting character development or revelation.
The symbolism and nuance that are laid thick in colorful locales and poignant sceneries may merit repeat viewings to appreciate them; a careful analysis of the film brings another level of enjoyment to overall experience.
Also relationships between the characters and circumstantial developments of the plot seem to rely too impulsively on coincidence, not mindful of what the viewer is meant to discern.
This could be attributed to attempting to weave a credible plot involving diverse elements and subplots in a limited frame of time, or it could have been something else relevant in the context of the "Cowboy Bebop" tv series.
Some have suggested that this film is nothing but a figurative dream, in which the main character confronts the guilt of his past to help him proceed to his ultimate fate in the last remaining episodes of the tv series.
If that was the case, then the film ends up being not as complete or entertaining to the "Cowboy Bebop" novices as it would have been for those well acquainted with the tv series.
To that effect, it is rather disappointing. The character designs are fairly distinct and varied, although in some instances they linger a bit too long on stereotypical depiction of some races.
The details given to many of the locales are unsurpassed in their variety and ambience; it is a testament to how artists went as far as to include references to mainstream culture, dotting the background with "WcDonald's" and "Kodac" although I am lead to believe such play on words is the Japanese equivalent of product placement.
The music is another highlight of the film, which is not unexpected of Yoko Kano, who is a renowned composer of anime soundtrack who have previously lent her resourceful talents to other popular anime such as "Macross Plus" another collaboration with the director Watanabe.
The compact blend of blues and jazz heightens the urgent mood and graces slower parts with an equally effective repertoire.
I don't know about others, but I did not mind the dubbing of the film too much. Maybe because the voices are supported by a script that is partially altered to bring out genuine emotion to the dialogue and to resolve colloquial barriers between the languages.
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Alternate Versions. Rate This. A terrorist explosion releases a deadly virus on the masses, and it's up the bounty-hunting Bebop crew to catch the cold-blooded culprit.
Writers: Keiko Nobumoto screenplay , Hajime Yatate based on the story by. Available on Amazon. Added to Watchlist. From metacritic.
June's Most Anticipated Streaming Titles. During this time, Faye relocates Sampson, who has been working with Vincent, but fails to catch him.
Ein and Ed manage to find him again, but the two run off before Faye can get there. She arrives just as Vincent breaks one of the nanomachine containers with him, killing Sampson.
Although Faye is also infected, Vincent gives her some of his blood through a kiss, immunizing her. After Spike recovers and has a final talk with Rashid, he and Elektra are captured by Cherious Medical, who want to suppress all knowledge of the nanomachines' existence.
The two escape from Cherious Medical, grabbing the newly produced vaccine on the way. In turn, Faye escapes after Vincent goes to trigger an attack on the city that will eventually kill everyone on Mars.
After the group reunites, it is determined that Vincent will spread the nanomachines by exploding the giant jack-o'-lantern balloons used in the Halloween parade: Jet has a troop of old crop dusters spread the vaccine over the city while Faye heads for the weather control center and causes it to rain on the city, aiding the spread of the vaccine.
Spike and Elektra separately head to confront Vincent. Spike arrives first and the two battle to a standstill, then the nanomachines are released and Spike is temporarily weakened by them before the vaccine kicks in.
As Vincent prepares to kill Spike, Elektra arrives and shoots Vincent. Having wanted to die since Titan, Vincent does not defend himself and thanks Elektra for their time together before dying.
So as not to disappoint fans, the film incorporated as much of the series as possible while making it accessible to newcomers.
Vincent was partially intended as a type of villain that could not be done in the series, even though Watanabe felt he was not "particularly unique".
Because of increased running time, budget and facilities, the team were able to include more cels in animations, as well as longer and more intricate action sequences.
Watanabe wanted to give the film an Arabic feel, in contrast to the series which often used New York and Hong Kong for inspiration. To this end, Watanabe went on a research trip to Morocco.
The original Japanese cast also returned. The music for Cowboy Bebop: The Movie was composed by Yoko Kanno , composer for the original series, and performed by her band Seatbelts.
She used Arabic and English for the music lyrics. Alongside these, the soundtrack made use of a large amount of rock instruments. Both these albums were reissued in December After the film's international release, this date was subject to debate in the western fanbase due to its proximity to the September 11 attacks.
Instead of creating a new subtitle, the team settled with using " The Movie ",  though a November rerelease of the film by Funimation features the original subtitle.
During its initial screening at the event, it sold out completely, prompting a second screening later in the event. In celebration for the 20th Anniversary of the series in , the film was shown in United States theaters by Funimation Films on August 15, with Japanese audio and English subtitles, and on August 16, with the English dub.
The consensus reads, "This may be strictly for anime junkies, but they'll find much to like about Cowboy Bebop ' s casual violence and cool dialogue.
Critic reviews have generally been positive. Andy Patrizio of IGN gave the film a score of 9 of 10, saying that the developers "did a superb job of fleshing out the story", as well as praising it for "not succumbing to melodrama like many of its live-action counterparts".
He also commented that the film's subject matter of terrorism in the face of the September 11 attacks "smacked way too close to home".
The music also received praise. His main criticism stemmed from the fact that Jet, Faye and Ed were relegated to supporting roles, and that it was difficult getting them all into the story.
He also said that the team had outdone themselves with the animation quality in a few scenes, such as the final fight between Spike and Vincent.
Lawrence van Gelder of The New York Times gave the film a mixed review, saying that he enjoyed the experience, but found it a little frivolous when compared to both its subject matter and events at the time.
His ultimate impression from the English-dubbed version was that the film could easily have been set in present-day New York.
The most praise went to the use of live-action camera angles. Though he found the film's story sometimes slowed noticeably, the soundtrack and visual references to other notable action films made it "an example of anime at its very best.
Others, including the Toronto Star and Newark Star-Ledger , noted its connection to science fiction films. Sunrise and Bandai Visual underestimated the possible sales, with the first print being used up soon after release, prompting a second print for mid-February.
Beveridge generally praised the DVD's quality and extras were generally praised, summing it up as a "top notch release". From Wikipedia, the free encyclopedia.
Theatrical release poster. Sunrise Bones animation production Bandai Visual. Main article: Cowboy Bebop characters.
Main article: Music of Cowboy Bebop. British Board of Film Classification. Retrieved January 22, Box Office Mojo.
Retrieved May 29, Later, Watanabe called the phrase an "exaggeration". The musical style was emphasized in many of the episode titles.
The streets of celestial objects such as Ganymede resemble a modern port city , while Mars features shopping malls, theme parks, casinos and cities.
Cowboy Bebop ' s universe is filled with video players and hyperspace gates, eco-politics and fairgrounds, spaceships and Native American shamans.
The characters were created by Watanabe and character designer Toshihiro Kawamoto. Watanabe envisioned each character as an extension of his own personality, or as an opposite person to himself.
The show focuses on the character of Spike Spiegel , with the overall theme of the series being Spike's past and its karmic effect on him.
He was originally going to give Spike an eye patch, but the producers vetoed it. Jet is shown as someone who lost confidence in his former life and has become cynical about the state of society.
Edward and Ein were the only main characters to have real-life models. The former had her behavior based on the antics of Yoko Kanno as observed by Watanabe when he first met her.
Cowboy Bebop was developed by animation studio Sunrise and created by Hajime Yatate , the well-known pseudonym for the collective contributions of Sunrise's animation staff.
Other leading members of Sunrise's creative team were screenwriter Keiko Nobumoto , character designer Toshihiro Kawamoto , mechanical art designer Kimitoshi Yamane , composer Yoko Kanno , and producers Masahiko Minami and Yoshiyuki Takei.
Most of them had previously worked together, in addition to having credits on other popular anime titles.
Yamane had not worked with Watanabe yet, but his credits in anime included Bubblegum Crisis and The Vision of Escaflowne.
Minami joined the project as he wanted to do something different from his previous work on mecha anime.
Cowboy Bebop was Watanabe's first project as solo director, as he had been co-director in his previous works.
He explained, "the first image that occurred to me was one of Spike, and from there I tried to build a story around him, trying to make him cool.
Some of the staff were unhappy about this approach as a continuation of the series would be difficult.
While he considered altering the ending, he eventually settled with his original idea. The project had initially originated with Bandai 's toy division as a sponsor, with the goal of selling spacecraft toys.
Watanabe recalled his only instruction was "So long as there's a spaceship in it, you can do whatever you want. Believing the series would never sell toy merchandise, Bandai pulled out of the project, leaving it in development hell until sister company Bandai Visual stepped in to sponsor it.
Since there was no need to merchandise toys with the property any more, Watanabe had free rein in the development of the series.
While some of them were doubtful of that at the time, Watanabe many years later expressed his happiness to have been proven right in retrospect.
He joked that if Bandai Visual hadn't intervened then "you might be seeing me working the supermarket checkout counter right now. The city locations were generally inspired by the cities of New York and Hong Kong.
The animation staff established the particular planet atmospheres early in the production of the series before working on the ethnic groups.
It was Watanabe who wanted to have several groups of ethnic diversity appear in the series. Mars was the planet most often used in Cowboy Bebop ' s storylines, with Satoshi Toba, the cultural and setting producer, explaining that the other planets "were unexpectedly difficult to use.
For the final episode, Toba explained that it was not possible for the staff to have the dramatic rooftop scene occur on Venus , so the staff "ended up normally falling back to Mars.
In spite of certain American influences in the series, he stipulated that the country had been destroyed decades prior to the story, later saying the notion of the United States as the center of the world repelled him.
The music for Cowboy Bebop was composed by Yoko Kanno. The genres she used for its composition were western, opera and jazz.
He stated, "She gets inspired on her own, follows up on her own imagery and comes to me saying 'this is the song we need for Cowboy Bebop ,' and composes something completely on her own.
She was pleased with the working environment, finding the team very relaxed in comparison with other teams she had worked with.
Watanabe further explained that he would take inspiration from Kanno's music after listening to it and create new scenes for the story from it.
These new scenes in turn would inspire Kanno and give her new ideas for the music and she would come to Watanabe with even more music.
Watanabe cited as an example, "some songs in the second half of the series, we didn't even ask her for those songs, she just made them and brought them to us.
Watanabe described his collaboration with Kanno as "a game of catch between the two of us in developing the music and creating the TV series Cowboy Bebop.
Later that year, the series was shown in its entirety from October 24 until April 24, , on satellite network Wowow. The first non-Asian country to air Cowboy Bebop was Italy.
There, it was first shown on October 21, , on MTV , where it inaugurated the 9. In the United States, Cowboy Bebop was one of the programs shown the night Cartoon Network 's late night block Adult Swim debuted on September 2, , being the first anime shown on the block.
It has been run at least once every year since , and HD remasters of the show began broadcasting in In the United Kingdom it was first broadcast in as one of the highlights of the "cartoon network for adults", CNX.
From November 6, , it was repeated on AnimeCentral until the channel's closure in August It was broadcast on Sci Fi Channel on Foxtel.
It is retransmitted from January 9, on I. Sat Adult Swim block. The first release was sold in VHS format either as a box set or as seven individual tapes.
The tapes were sold through Anime Village, a division of Bandai. The second release was sold in individually, and featured uncut versions of the original 26 episodes.
At the time of release, the art box from the Perfect Sessions was made available for purchase on The Right Stuff International as a solo item for collectors who already owned the series.
The third release, The Best Sessions , was sold in and featured what Bandai considered to be the best 6 episodes of the series remastered in Dolby Digital 5.
The fourth release, Cowboy Bebop Remix , was also distributed on 6 discs and included the original 26 uncut episodes, with sound remastered in Dolby Digital 5.
This release also included various extras that were not present in the original release. A fourth release in Blu-ray format was released on December 21, exclusively in Japan.
In December , newly founded distributor Anime Limited announced via Facebook and Twitter that they had acquired the home video license for the United Kingdom.
Part 1 of the Blu-ray collection was released on July 29, , while Part 2 was released on October The standard DVD Complete Collection was originally meant to be released on September 23, with Part 2 of the Blu-ray release but due to mastering and manufacturing errors, the Complete Collection was delayed until November However, in January , IGN reported that the release had likely been cancelled, speculating that it did not survive Bandai's merger with Namco to Bandai Namco Games.
On July 22, , If published an article on its website regarding a rumor of a live-action Cowboy Bebop movie in development by 20th Century Fox.
Producer Erwin Stoff said that the film's development was in the early stages, and that they had "just signed it".
This was lauded by various sources as a promising move for the potential quality of the film. The submitted script was sent back for rewrite to reduce the cost and little has been heard about it since an interview with producer Joshua Long on October 15, ;  the project currently languishes in development hell.
He stated: "I'm afraid I don't know what they're thinking in Hollywood. Apparently the project hasn't come to a stop but I don't know how it's going to progress from here on.
I hear that there are a lot of 'Hollywood' problems. On June 6, , it was announced that an American live-action adaptation of the series was being developed for television by Tomorrow Studios, a partnership between Marty Adelstein and Sunrise Inc.
The story was available in its own official site, however the website was closed and is currently available at the site mirror.
Cowboy Bebop received widespread critical acclaim, beginning at the time of its initial broadcast. Beginning in , Japanese critic Keith Rhee highlighted the series as a standout in an otherwise "run-of-the-mill" season, praising its overall production values, and singling out Kanno's soundtrack as "a much-welcome change from all the sugary J-pop tunes of most anime features".
Rhee also highlighted the show's Japanese "all-star cast",  which his colleague Mark L. Johnson described as being filled with "veteran voice talent", turning in even greater performances than those of their "above average" US counterparts.
He claimed the series was "one of the most popular and respected anime titles in history," before adding that it was "a unique television show which skillfully transcends all kinds of genres.
Crandol hailed Cowboy Bebop as a "landmark" anime "that will be remembered long after many others have been forgotten", and went on to call it "one of the greatest anime titles ever.
Anime Reviews gave the entire series a perfect score of 5 out of 5 stars, with reviewer Christina Carpenter believing Cowboy Bebop as "one of the best [anime]" and touting it as a masterpiece that "puts most anime Carpenter went to say that Bebop was a "must-have for any serious collector of Japanese animation.
Dick came up with during a wild, all-night whiskey bender. First-time solo director Watanabe had created a gorgeous tale of morality, romance, and violence—a dark look at the lives of outlaws that's shot like an independent film.
He stated, "Regardless of the medium, be it live action television, film, or animation, Cowboy Bebop is simply one of the finest examples of storytelling ever created.
It is a masterwork that should justly rank among the best works of television of all time. In the Anime Grand Prix awards for the anime of , Cowboy Bebop won two 1st place awards: Spike Spiegel was awarded the best male character ; and Megumi Hayashibara was awarded the best voice actor for her role as Faye Valentine.
Cowboy Bebop also received rankings in other categories: the series itself was awarded the 2nd best anime series ; Faye Valentine and Ed were ranked the 5th and 9th best female characters respectively; "Tank!
In the Anime Grand Prix awards for the anime of , Cowboy Bebop won the same two 1st place awards again: best male character for Spike Spiegel; and best voice actor for Megumi Hayashibara.
Other rankings the series received are: 2nd best anime series; 6th best female character for Faye Valentine; 7th and 12th best song for "Tank!
Cowboy Bebop has been featured in several lists published by IGN. The series has been subject to study and analysis since its debut, with the main focus being on its style and mixture of genres.
Miguel Douglas, describing the series style in a review, said that "the series distinctly establishes itself outside the realm of conventional Japanese animation and instead chooses to forge its own path.
With a setting within the realm of science fiction , the series wisely offers a world that seems entirely realistic considering our present time.
Free from many of the elements that accompany science fiction in general — whether that be space aliens , giant robots , or laser guns — the series delegates itself towards presenting a world that is quite similar to our own albeit showcasing some technological advances.
Certainly not as pristine a future we would see in other series or films, Cowboy Bebop decides to deliver a future that closely reflects that of our own time.
This aspect of familiarity does wonders in terms of relating to the viewer, and it presents a world that certainly resembles our very own.
Unlike many anime titles, viewers weren't expected to have knowledge of Asian culture — character names, signs, and the like were primarily in English to begin with — or have seen any other anime series prior.
Club called Cowboy Bebop "rightly a huge hit", and listed it as a gateway series to understanding the medium of anime as a whole.Die neuesten Nachrichten und Specials zu diesen Film Cowboy Bebop: The Movie: 55 Kinofilme, die auf Animationsserien basieren – gerankt vom. Cowboy Bebop (Original Soundtrack) by Mai Yamane Audio CD £ Temporarily out of Seatbelts - Cowboy Bebop Knockin'on Heaven's O.S.T Future Blues [Japan CD] VTCL. Seatbelts Cowboy Bebop The Movie - Blu-ray. Shinichiro. Cowboy Bebop - Der Film (Limited Edition mit Buch) von Shinichirô Watanabe DVD bei politruck.se bestellen. Während sich die Handlung vordergründig um die Kopfgeldjäger und ihren stetigen Misserfolg in einer futuristischen Welt dreht, werden tatsächlich die individuellen Erfahrungen und Schicksale read article einzelnen Charaktere beschrieben — jeder einzelne von see more hat eine individuelle Vorgeschichte, die seine Ambitionen und Wünsche verständlich macht. Hauptseite Themenportale Zufälliger Artikel. Japanische Filme von Laharl. Yutaka Maseba. Dadurch wurde die Erdoberfläche unbewohnbar und einige Erdbewohner suchten Schutz im Untergrund. Geschwisterliebe Waltz For Venus Deutscher Titel Originaltitel Jp.